You don’t have enough badges to hit me!
If only Splash actually worked like this
“Black Hole Sun” by Paul Anka
originally by Soundgarden
Listening to a lot of covers today, and this one takes the cake. Paul Anka fucking TEARS BLACK HOLE SUN APART.
This is what a cover is all about. It’s not just singing the song, it’s not just maybe adding an inflection or two.
Anka pulls a Six Million Dollar Man on this song, taking it apart, rebuilding it with his own personal bionics.
Anka Owns this song for me, now.
I don’t even know when I posted this, but it’s still fantastic and deserves more attention.
an epic trilogy
Me on Carson Daly. Talking about Anonymous and Occupy like an uber caffeinated New Yorker, on network TV
I think everyone should watch this and then go say congratulations to Ms. Crabapple. I’m not saying you have to, I’m just saying I think you should.
Tippi Benjamine Okanti Degré, daughter of French wildlife photographers Alain Degré and Sylvie Robert, was born in Namibia. During her childhood she befriended many wild animals, including a 28-year old elephant called Abu and a leopard nicknamed J&B. She was embraced by the Bushmen and the Himba tribespeople of the Kalahari, who taught her how to survive on roots and berries, as well as how to speak their language.
//not a daughter of a photographer…a KHALEESI
Fair enough. I assume you mean when I started Dresden Codak? I’ll break down the honest-to-goodness process of the early comics:
- Draw comics in mechanical pencil on the back of my statistics homework (never turned in) and then ink on top of that with a micron pen.
- Sneak into the Honors College study room (from which I was expelled for poor grades) and use their scanner.
- Use a mouse and a bootleg copy of Photoshop 7 to color the pages.
- Upload it to my site, which at the time was flat HTML that I’d written from scratch.
And that’s it!
reblogging this for the reminder that grades and a college degree are by no means the be-all end-all of life.
There’s some truth to this. I’d like to share some further biographical information:
I’m a college dropout. In 2006 I left school after a little over four years because I kept changing majors (physics, anthropology, computer science, then art) and it had reached a point where it was difficult for me to afford to keep going to school (I was paying my own way with various jobs).
The reason I had kept changing majors was because I was terrified that I’d picked the “wrong” career, with most of those academic decisions based around what careers seemed prestigious. I wanted to be an engineer because I liked the idea of being an engineer, then a programmer because I liked the idea of being a programmer, but I was never happy doing any of these things, and it showed. I’d always been groomed to be a good student, and for most of my career I was good at doing what I was told.
I’d always been creative, doing little projects on the side. I wrote a sci-fi novel when I was 19 (never shared it), some poems in physics class, and even some fake news stories about Popeye before I was kicked off the university paper. I also made films with friends for many years. I was told these were “good hobbies,” that once I became a respected and financially stable engineer/programmer/scientist, that I could then do what made me happy on the side. A nervous breakdown during my college career, however, made it clear that “waiting to be happy” was a psychologically unstable strategy. I couldn’t wait for someone else to grant me permission to do what I wanted with my life.
So, in 2005, during a statistics class that I would eventually fail, I started drawing Dresden Codak. I hadn’t seriously drawn in many years, but it’s something you don’t totally lose. They were pretty bad drawings, but I didn’t care. I enjoyed it and decided that doing what I really liked to do now was better than hoping I could do it later. I wasn’t looking for a career at the time, I just realized how much I loved making comics and knew that I should do whatever I could to keep making them. It took about a year for me to decided that being a cartoonist was what I really wanted. I changed my major to art briefly, but eventually accepted that paying for a degree wasn’t something that was going to help me at that point.
After that, in 2006, I took a chance and dropped out. I worked an office job full time during the day while drawing Dresden Codak full time at night. I slept about 3 hours a night, but it didn’t matter. I was doing what I wanted, and it kept me going. Then, toward the end of 2007 I found out, through Topatoco, that I had enough readers to justify selling some merchandise. To my genuine surprise, as soon as we put the store up, I was making more money than my office job (which I promptly quit). From there I packed up, moved out of Alabama and never looked back.
Dresden Codak has been my full-time job ever since. It’s let me travel the country and meet amazing people while making a pretty comfortable living, but most importantly I get to do what I enjoy more than anything else. Ever since, I make all of my life decisions based on maximizing what I really want to do, and so far it’s served me well.
Don’t interpret this as an anti-education/college story or anything like that. I just think often we expect success if we do X, Y and Z, when in reality such a thing can’t be reliably handed to you by an authority. Start doing what you want to do now, because life’s far too short to wait around to be happy.
By Lora Zombie.
Justice League of America by Aslan Malik